25NOV18 - Tossing Stones, the painting process

So, for starters, this is the Wizkids Pathfinder Deep Cuts Medium Earth Elemental (SKU 73357/UPC 63448273357-8 for those interested in acquiring exactly this pair of miniatures). The package comes with two of them, and costed about $5 USD. That would be about $2.50 a miniature, and both are very detailed, and frankly rival anything Games Workshop puts out without being charged through the nose. They are pre-primed as well. This is a two edged sword however, as you are going to spend some time removing mold lines, which on these guys is not too bad as they are pretty easy geometrically to scrape mold lines off of. On these guys, I did not find myself re-priming. The light primer surface really enhanced the way I was going to paint them. Wizkids chose to do a, to me, boring grey rock type elemental with green crystals on the clear elements attached to the torso. I wanted something different…

 

I wanted more of a molten, lava, living elemental coming strait through the crust from the core of the planet! Sure, it runs the risk of overlapping a fire elemental… But hey, the core of our planet is molten iron, why would an earth elemental not be of the same material? Makes sense to me. My palette for this project was simple. Delta Ceramcoat (higher quality US acrylic craft paint, does everything my Liquitex acrylics have done, without all the thinning…) Opaque Yelllow, Opaque Red, Tangerine, Raw Sienna, and Burnt Umber. So far, that Opaque Yellow is a great “go-to” for painting anything that is going to be yellow! Make sure to prime the surface in a light color (as these were already pre-primed, that was easy). Whenever I use a black or dark grey primer, I tend to use Ceramcoat Ivory on the desired surface, and that tends to do the trick.

I also got to play with my improvised wet palette, basically a food container, wet paper towel, and a piece of parchment paper!

Step 1: Using a flat brush (in this case, a #3 Bright), coat the elemental in Opaque Yellow, and ensure you get the paint into the cracks and crevices. This is the base coat for the elemental. Base coat the earth with Burnt Umber.

Step 2: Using the flat brush again, drybrush orange onto the surface of the elemental, don’t panic if you get some of the orange paint into the cracks and crevices of the elemental, we will use this chaos in our miniature to turn it into art, and we’ll also go back and get some of that later.

 

Step 3: Do Step 2, but with the Opaque Red

 

Step 4: Now we take our 15/0 or 20/0 round brushes, and use some more Opaque Yellow sparingly in the crevices to re-coat them with the much lighter paint. This will serve to add the glowing from the inside effect we will want when we get done.

 

Step 5: Now, the moment of truth for the lava effect! Grab the Burnt Umber, and using a combination of the flat and round brushes, pick up the high points on the elemental’s surface. After all, lava and molten iron cool away from the source of the heat, and it has the darker color effect. This is also when we take the Raw Sienna and highlight the areas on the rocks (using dry brushing), and maybe mix in a bit of the yellow and orange to add some glow to those edges remembering that the primary light source for those would be the figure of the elemental itself. I chose not to paint the crystals translucent, and just make them a part of the elemental. When I figure out those translucent spell effects, I’ll share…

 So, there you have it folks!  Economical limited palette anyone can try at home!  All said, I think the cost of the brushes years ago outstripped the cost of these two miniatures and paints combined...  Even then, not my much (the nice Reaper and Liquitex brushes anyway).  So, when I get to use these in a game, perhaps Dragon Rampant, someday you might see a battle report!